Manchester University Press
Film Light
Migration into Art: Transcultural Identities and Art making in a Globalised World
Tis Pity She's a Whore: By John Ford
Heresy and Inquisition in France, 1200 1300
Cinematic Perspectives on International Law
Women's writing for Punch magazine, 18681918: Negotiating gender and humour
Statelessness After Arendt: European Refugees in China and the Pacific During Second World War
Power in Modern Russia: Strategy and Mobilisation
Bachelors of a Different Sort: Queer Aesthetics, Material Culture and the Modern...
Dirtbag Dreams: A History of Mountain, Ultra and Trail Running
Feeling Blue: Colour and the Modern British Hospital
Monasticism and Renewal in Southern Italy: The Chronicle of Montecassino by Leo...
Love's Metamorphosis: John Lyly
the disruption of British party system: A guide to next general election
Aesthetic Evaluation and Film
The Making of A Status Symbol: Business History Rolex
Labour United and Divided from the 1830s to Present
Decolonizing the state: Indigenous politics and limits of Bolivian plurinationalism
Mother Bombie: John Lyly
Shakespeare and Manchester: A Victorian Powerhouse
What is a Thoughtful Life?
Exhibiting the Empire: Cultures of Display and British Empire
Art Versus Industry?: New Perspectives on Visual and Industrial Cultures in Nineteenth century Britain
the Sound of Difference: Race, Class and Politics 'Diversity' in Classical Music
New Woman Strategies: Sarah Grand, Olive Schreiner, Mona Caird
Tea and Empire: James Taylor in Victorian Ceylon
Politicising and Gendering Care for Older People: Multidisciplinary Perspectives from Europe
Lesbian bones: Theorising queer women in Polish art
Thomas Hood and Nineteenth Century Poetry: Work, Play, Politics
Cinematic Countrysides
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